9 November 2025
In re-unconvering a more considered and precise approach to image-making, I'm aware of a kind of compositional trap that is threatening to emerge, so I'm writing this as a reminder to resist that. It's not useful, to myself or to others, to show images that worry about adhering to logical/neat compositional math. It's constricting. Discovered Susan Te Kahurangi King's drawings recently, (specifically have been studying documentation of those from her 2016 Drawings 1975-1989 show at Andrew Edlin), and they are refreshing in their complete indifference to this kind of presentability. Which I get the sense is natural for her. From some images I've seen of her working, she goes at it flat, nose to paper. As a result, the work grows out of an engrossed state and multiplies organically from corners, edges, or, according to a release I read, more spur of the moment starting points born from existing marks/creases on surfaces.