8 July 2025
Off the back of making Link and spending more time with Samuel Hindolo's work, I'm becoming excited by the possibilities of thinness and drawing right now, what the interplay between pencil and brush can produce and suggest, especially on a surface like panel. A disappearing structure, a complicated relationship between resolution and dissolution. To encounter something fragile and weather-worn feels relevant right now, like it can be a conduit for an encounter with a more real sense of the breakdown hidden behind the solidity we think we see.