24 October 2025
On diversion completed today. Its conception was primarily spurred on by Merlin James's Oxbow (2023), which I've been studying for a while—the relationship of its marks and the unique character of its surface to the components of its landscape subject. My own painting is loosely based on miles upon miles of open road on Oregon Route 99W headed toward Dundee from Portland International Airport, the memory of which meshed nicely with a bit of Phoebe Helander's aforementioned talk in which she describes repeating a rose petal form over and over as she fails to capture it in shifting light, its glitching buildup becoming visual information that composes the image indirectly. I think I was also holding similar ideas about visually fading in and out, of constantly oscillating relationships between what has just been seen and what is anticipated to be seen. Of focusing, unfocusing, and warping through that process.