22 May 2026
A painting: that is maybe 80-90% logically sequenced but with relief-printed elements introduced at one point in the process and reacted to, with forms delineated entirely with dashes, of a measured and almost illustrated flat environment containing one shape that becomes the lone source of depth, of a flattened scene that nonetheless attempts to adhere to the logic of atmospheric perspective in spite of itself, of a materially fluid orbiting scene that stops short of penetrating a central void space (white), of an activated axis like a melon cut in half and presented as a whole, of the light of death as a very small thing.