19 November 2025
Pink/moon (working title), or maybe Rudder: today's Oblique Strategies advised “infinitesimal gradations,” which is timely—this is a painting of the moon or sun in the London winter sky made with many thin layers of white tinted by various intensities of red and blue. Tried to make the difference in the tints as subtle as possible, George Tooker's embossed inkless intaglios in mind. This toward defamiliarizing and holding anew the scene hovering above that has become so familiar in the past three years. Following the details of sensation right now above all else, paying attention to their peaks and valleys, trying to relax into circling around their elusive core.