1 February 2026
Third man (working title): the interior of my new house has been unfolding itself more and more. There's a wall hook guiding two sets of fairy lights across the living room that looks like a boy's face gazing skyward. Reminded me of the child in one of Botticelli's Madonna and Child paintings (the one from 1470, one of the handful at the National Gallery in D.C.). The hook and lights became the face's body, and as a full image I think these elements simply became an excuse to riff on the way color is deployed in a work from the Mughal Empire that I found via Luhring Augustine Gallery's archives and have been taken by: Bust portrait of a prince, probably Muhammad Sultan, the son of Aurangzeb (probably by Hunhar c. 1670). It's essentially a Josef Albers. Gorgeous tangerine against a sky blue framed by a fleshy faded orange with touches of pale yellows and greens. Ultimately the painting broke away from that scheme (deeper blues, greens, pinks appeared) and it seems like it became about a kind of tension between the oranges and pinks, maybe a relationship that implies but also negates an optical mix.